3x3: Take Two

3x3: Take Two is a 30-level community megawad for Doom II and Boom-compatible source ports, led by MFG38. The project employed a similar set of restrictions to its predecessor; however, mappers were also allowed to supply custom textures with their maps as opposed to the first 3x3 project, which restricted the texture selection to vanilla textures. Development ran between March 30th and May 1st, 2021, and the final version of the megawad was published on the idgames archive on June 20th.

Levels

 * by PeceMan
 * by Death Bear
 * by Mr. Tadpole
 * by Jacek Nowak
 * by Alper002
 * by MFG38
 * by AtticTelephone
 * by PinkFlamingo
 * by Worriedidiot
 * by Helm
 * by SCF
 * by Jacek Nowak
 * by Salmon
 * by Worst-vd-plas
 * by Muumi
 * by 7Soul
 * by Dieting Hippo
 * by Captain Toenail
 * by PeceMan
 * by Captain Toenail
 * by PinkFlamingo
 * by myolden
 * by NeilJohnRips
 * by Death Bear
 * by reverie
 * by Helm
 * by Dac
 * by Muumi
 * by MFG38
 * by BoxY

Soundtrack

 * MAP01: ??? by zsírosbödönm
 * MAP02: "Warsword" by Jimmy
 * MAP04: "Dear Onion" by Lippeth
 * MAP05: "BRICKDAD" by Zan-zan-zawa-veia
 * MAP06: "Waltz of the Demons" from Doom by Bobby Prince
 * MAP07: "The Hall of Collosia" from 
 * MAP08: "Catalyst" by Psyrus
 * MAP10: "Intro" from Devilish / Bad Omen
 * MAP11: "Forbidden Area" from 
 * MAP12: "Braachsel" by decino
 * MAP13: "Nightfall" by stewboy
 * MAP14: "Realistic Approach" by Velvetic
 * MAP15: "Let Me Fly" by Jimmy
 * MAP16: "Level 7" from Darkman
 * MAP17: "Blades of Hell" by Dieting Hippo
 * MAP18: "Cathedral Fight" from 
 * MAP19: "Whipped n Chained" by Doomkid
 * MAP20: "Water World" from Duke Nukem 3D
 * MAP21: "Alfred H. (My Family's Plot)" from Duke Nukem 3D
 * MAP22: "Destiny's Stage" from 
 * MAP23: "Skull Faced B*stards" by NeilJohnRips
 * MAP25: "Easel" by Jimmy
 * MAP26: "Through Eyes of Glass" by Forbidden
 * MAP27: "Avalanche" by Mark Klem
 * MAP28: "Magical Sound Shower" from 
 * MAP31: "The Hills Have SW2SKIN Eyes" by MFG38
 * MAP32: "NM100s Pistol Start or Else" by Peter Lawrence