Difference between revisions of "Doom music"
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− | All of [[Doom]]'s music was composed by [[Robert Prince]]. | + | {{Gendisambigabout|the [[Doom|original Doom]] music|the 2016 game|Doom (Original Game Soundtrack)}} |
+ | {{ConsensusContentionMsg}} | ||
+ | All of [[Doom]]'s music was composed by [[Robert Prince]]. There are 23 distinct tracks present across the original 3 episodes, with ''[[Thy Flesh Consumed]]'' not introducing any new tracks. | ||
− | {| {{ | + | Unsourced attributions should not be added here. The information below is based on "word of God" from Bobby Prince or other reliable sources. |
+ | |||
+ | == Track listing == | ||
+ | {| {{prettySortable}} | ||
! Track name || MUS || Levels || Length ||Inspiration / base | ! Track name || MUS || Levels || Length ||Inspiration / base | ||
|- | |- | ||
− | | [[vgmpf:At Doom's Gate|At Doom's Gate]] || D_E1M1 || [[E1M1: Hangar (Doom)|E1M1: Hangar]] || 01:36 || | + | | [[vgmpf:At Doom's Gate|At Doom's Gate]] || D_E1M1 || [[E1M1: Hangar (Doom)|E1M1: Hangar]] || 01:36 || None <ref group="notes" name="doomsgate" /><!-- Before you edit in one of the many, many songs that sound similar to this one (see talk page for list), please read note below. --> |
|- | |- | ||
| [[vgmpf:The Imp's Song|The Imp's Song]] || D_E1M2 || [[E1M2: Nuclear Plant (Doom)|E1M2: Nuclear Plant]] || 02:35 || | | [[vgmpf:The Imp's Song|The Imp's Song]] || D_E1M2 || [[E1M2: Nuclear Plant (Doom)|E1M2: Nuclear Plant]] || 02:35 || | ||
Line 16: | Line 21: | ||
| [[E4M4: Unruly Evil (Doom)|E4M4: Unruly Evil]] | | [[E4M4: Unruly Evil (Doom)|E4M4: Unruly Evil]] | ||
|- | |- | ||
− | | rowspan="2" | [[vgmpf:On the Hunt|On the Hunt]] || D_E1M6 || [[E1M6: Central Processing (Doom)|E1M6: Central Processing]] || rowspan="2" | 01:24 || | + | | rowspan="2" | [[vgmpf:On the Hunt|On the Hunt]] || D_E1M6 || [[E1M6: Central Processing (Doom)|E1M6: Central Processing]] || rowspan="2" | 01:24 || rowspan=2| |
|- | |- | ||
− | | D_E3M6 || [[E3M6: Mt. Erebus (Doom)|E3M6: Mt. Erebus]] | + | | D_E3M6 || [[E3M6: Mt. Erebus (Doom)|E3M6: Mt. Erebus]] |
|- | |- | ||
| rowspan="4" | [[vgmpf:Demons On the Prey|Demons on the Prey]] || D_E1M7 || [[E1M7: Computer Station (Doom)|E1M7: Computer Station]] || rowspan="4" | 02:30 || rowspan="4" | | | rowspan="4" | [[vgmpf:Demons On the Prey|Demons on the Prey]] || D_E1M7 || [[E1M7: Computer Station (Doom)|E1M7: Computer Station]] || rowspan="4" | 02:30 || rowspan="4" | | ||
Line 28: | Line 33: | ||
| D_E2M5 || [[E4M8: Unto the Cruel (Doom)|E4M8: Unto the Cruel]] | | D_E2M5 || [[E4M8: Unto the Cruel (Doom)|E4M8: Unto the Cruel]] | ||
|- | |- | ||
− | | rowspan="3" | [[vgmpf: | + | | rowspan="3" | [[vgmpf:Sign of Evil|Sign of Evil]] || D_E1M8 ||[[E1M8: Phobos Anomaly (Doom)|E1M8: Phobos Anomaly]] || rowspan="3" | 02:32 || rowspan="3" | |
|- | |- | ||
| rowspan="2" | D_E3M4 || [[E3M4: House of Pain (Doom)|E3M4: House of Pain]] | | rowspan="2" | D_E3M4 || [[E3M4: House of Pain (Doom)|E3M4: House of Pain]] | ||
Line 34: | Line 39: | ||
| [[E4M1: Hell Beneath (Doom)|E4M1: Hell Beneath]] | | [[E4M1: Hell Beneath (Doom)|E4M1: Hell Beneath]] | ||
|- | |- | ||
− | | rowspan="3" | [[vgmpf:Hiding the Secrets|Hiding the Secrets]] || D_E1M9 || [[E1M9: Military Base (Doom)|E1M9: Military Base]] || rowspan="3" | 02:17 || rowspan="3" | | + | | rowspan="3" | [[vgmpf:Hiding the Secrets|Hiding the Secrets]] || D_E1M9 || [[E1M9: Military Base (Doom)|E1M9: Military Base]] || rowspan="3" | 02:17 || rowspan="3" | [[Wikipedia:Alice in Chains|Alice in Chains]] - [[Wikipedia:We Die Young|We Die Young]] <ref group="notes" name="alice" /><ref group="notes" name="metadata" /> |
|- | |- | ||
| D_E3M9 || [[E3M9: Warrens (Doom)|E3M9: Warrens]] | | D_E3M9 || [[E3M9: Warrens (Doom)|E3M9: Warrens]] | ||
Line 40: | Line 45: | ||
| D_E1M9 || [[E4M9: Fear (Doom)|E4M9: Fear]] | | D_E1M9 || [[E4M9: Fear (Doom)|E4M9: Fear]] | ||
|- | |- | ||
− | | [[vgmpf:I Sawed the Demons|I Sawed the Demons]] || D_E2M1 || [[E2M1: Deimos Anomaly (Doom)|E2M1: Deimos Anomaly]] || 02:32 || [[Wikipedia:AC/DC|AC/DC]] - [[Wikipedia:Big Gun|Big Gun]] < | + | | [[vgmpf:I Sawed the Demons|I Sawed the Demons]] || D_E2M1 || [[E2M1: Deimos Anomaly (Doom)|E2M1: Deimos Anomaly]] || 02:32 || [[Wikipedia:AC/DC|AC/DC]] - [[Wikipedia:Big Gun|Big Gun]] <ref group="notes" name="metadata" /> |
|- | |- | ||
| [[vgmpf:The Demons From Adrian's Pen|The Demons from Adrian's Pen]] || D_E2M2 || [[E2M2: Containment Area (Doom)|E2M2: Containment Area]] || 02:32 || | | [[vgmpf:The Demons From Adrian's Pen|The Demons from Adrian's Pen]] || D_E2M2 || [[E2M2: Containment Area (Doom)|E2M2: Containment Area]] || 02:32 || | ||
|- | |- | ||
− | | rowspan="2" | [[vgmpf:Intermission From DOOM|Intermission from DOOM]] || D_E2M3 ||[[E2M3: Refinery (Doom)|E2M3: Refinery]] || rowspan="2" | 03:19 || | + | | rowspan="2" | [[vgmpf:Intermission From DOOM|Intermission from DOOM]] || D_E2M3 ||[[E2M3: Refinery (Doom)|E2M3: Refinery]] || rowspan="2" | 03:19 ||rowspan=2| |
|- | |- | ||
− | | D_INTER || [[Intermission screen|Intermission music]] | + | | D_INTER || [[Intermission screen|Intermission music]] |
|- | |- | ||
| rowspan="2" | [[vgmpf:They're Going to Get You|They're Going to Get You]] || rowspan="2" | D_E2M4 || [[E2M4: Deimos Lab (Doom)|E2M4: Deimos Lab]] || rowspan="2" | 04:11 || rowspan="2" | | | rowspan="2" | [[vgmpf:They're Going to Get You|They're Going to Get You]] || rowspan="2" | D_E2M4 || [[E2M4: Deimos Lab (Doom)|E2M4: Deimos Lab]] || rowspan="2" | 04:11 || rowspan="2" | | ||
Line 68: | Line 73: | ||
| D_E3M1 || [[E3M1: Hell Keep (Doom)|E3M1: Hell Keep]] | | D_E3M1 || [[E3M1: Hell Keep (Doom)|E3M1: Hell Keep]] | ||
|- | |- | ||
− | | rowspan="2" | [[vgmpf:Donna to the Rescue|Donna to the Rescue]] || rowspan="2" | D_E3M2 || [[E3M2: Slough of Despair (Doom)|E3M2: Slough of Despair]] || rowspan="2" | 01:57 || rowspan="2" | | + | | rowspan="2" | [[vgmpf:Donna to the Rescue|Donna to the Rescue]] || rowspan="2" | D_E3M2 || [[E3M2: Slough of Despair (Doom)|E3M2: Slough of Despair]] || rowspan="2" | 01:57 || rowspan="2" | [[Wikipedia:Body Count (band)|Body Count]] - [[Wikipedia:Body_Count_(album)#Track_listing|Body Count's in the House]] <ref group="notes" name="garden" /> |
|- | |- | ||
| [[E4M2: Perfect Hatred (Doom)|E4M2: Perfect Hatred]] | | [[E4M2: Perfect Hatred (Doom)|E4M2: Perfect Hatred]] | ||
|- | |- | ||
− | | rowspan="2" | [[vgmpf:Deep Into the Code|Deep Into the Code]] || rowspan="2" | D_E3M3 || [[E3M3: Pandemonium (Doom)|E3M3: Pandemonium]] || rowspan="2" | 02:02 || rowspan="2" | Slayer - [[Wikipedia:South of Heaven#Track listing|Behind the Crooked Cross]] < | + | | rowspan="2" | [[vgmpf:Deep Into the Code|Deep Into the Code]] || rowspan="2" | D_E3M3 || [[E3M3: Pandemonium (Doom)|E3M3: Pandemonium]] || rowspan="2" | 02:02 || rowspan="2" | Slayer - [[Wikipedia:South of Heaven#Track listing|Behind the Crooked Cross]] <ref group="notes" name="metadata" /> |
|- | |- | ||
| [[E4M3: Sever the Wicked (Doom)|E4M3: Sever the Wicked]] | | [[E4M3: Sever the Wicked (Doom)|E4M3: Sever the Wicked]] | ||
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| [[vgmpf:Facing the Spider|Facing the Spider]] || D_E3M8 || [[E3M8: Dis (Doom)|E3M8: Dis]] || 01:36 || [[Wikipedia:Stormtroopers of Death|S.O.D.]] "[[Wikipedia:Speak_English_or_Die#Track_listing|Sargent D & the S.O.D.]]" | | [[vgmpf:Facing the Spider|Facing the Spider]] || D_E3M8 || [[E3M8: Dis (Doom)|E3M8: Dis]] || 01:36 || [[Wikipedia:Stormtroopers of Death|S.O.D.]] "[[Wikipedia:Speak_English_or_Die#Track_listing|Sargent D & the S.O.D.]]" | ||
|- | |- | ||
− | | [[vgmpf:Introduction - Doom (DOS)|untitled]] || D_INTRO< | + | | [[vgmpf:Introduction - Doom (DOS)|untitled]] || D_INTRO<ref group="notes" name="intro" /> || [[Title screen|Title music]] || 00:08<sup>?</sup> || |
|- | |- | ||
| [[vgmpf:The End of DOOM|The End of DOOM]] || D_VICTOR || Victory music || 03:11 || | | [[vgmpf:The End of DOOM|The End of DOOM]] || D_VICTOR || Victory music || 03:11 || | ||
Line 85: | Line 90: | ||
|} | |} | ||
− | < | + | ===Notes=== |
− | + | <references group="notes"> | |
− | + | <ref name="metadata"><span style="font-size:small">The inspirations for the tracks noted above are substantiated by metadata comments found in the {{archived link|http://rome.ro/2007/06/doom-archaeology|unreleased MIDI tracks|https://web.archive.org/web/20140310123519/http://rome.ro/2007/06/doom-archaeology.html|archive.org}} released by John Romero, many of which are alternate versions of the MIDI tracks used in Doom. See the article: [[Musical inspirations behind Doom's music]].</span></ref> | |
− | </ | + | <ref name="alice>Uses all the same instrument tracks as un19.mid from the [[Unused Doom music|unused songs]] released by John Romero. The main riff of this song is a slight rearrangement of the unused one, the tempo is augmented slightly and all the singular drum tracks are merged into one, but the song structure, MIDI instrument selection and drums are otherwise kept completely unchanged.</ref> |
+ | <ref name="intro"><span style="font-size:small">The Doom [[IWAD]] file includes two title screen MUS lumps, {{c|D_INTRO}} and {{c|D_INTROA}}. The latter is used when using [[OPL]] MIDI playback (ie. on an AdLib or Soundblaster card).</span></ref> | ||
+ | <ref name="doomsgate"><span style="font-size:small">The inspiration behind E1M1 - ''At Doom's Gate'' has historically been a long-standing issue of discussion and contention among Doom's fanbase. Tracks by bands such as [[wikipedia:Metallica|Metallica]] or [[wikipedia:Pantera|Pantera]] have been suggested as sources, but there is no conclusive evidence that supports any particular track. The track itself is based around a generic heavy metal riff, meaning that it sounds similar to many different heavy metal songs. In a 2017 interview, Bobby Prince clarified that it was not inspired by any particular song, and was written before having listened to any heavy metal music.[https://www.youtube.com/watch?v=q1vNWT9Fbuw#t=21m59s]</span></ref> | ||
+ | <ref name="garden"><span style="font-size:small">The metadata for an early unused version of ''Donna to the Rescue'' references [[Wikipedia:Soundgarden|Soundgarden]] - [[Wikipedia:Outshined|Outshined]] as its base, but two other unused MIDIs reference the same song as well, yet sound completely different. The metadata may be a leftover note from a different unused MIDI (''un32'') that is more clearly based on the track.</span></ref> | ||
+ | </references> | ||
− | ==Trivia== | + | == Trivia == |
− | + | "Hiding the Secrets", which is present twice in the IWAD, exists in two slightly different versions: | |
− | + | {| {{prettytable|style=margin-left: 1em;}} | |
!Lump names!!Size!!CRC-32 | !Lump names!!Size!!CRC-32 | ||
|- | |- | ||
Line 99: | Line 108: | ||
|D_E3M9||21272||be086715 | |D_E3M9||21272||be086715 | ||
|} | |} | ||
− | + | "Demons on the Prey", which is present thrice in the IWAD, exists in two slightly different versions: | |
− | + | {| {{prettytable|style=margin-left: 1em;}} | |
!Lump names!!Size!!CRC-32 | !Lump names!!Size!!CRC-32 | ||
|- | |- | ||
Line 107: | Line 116: | ||
|D_E3M5||8597||9409b4ad | |D_E3M5||8597||9409b4ad | ||
|} | |} | ||
− | + | "Intermission from Doom", which is present twice in the IWAD, exists in two slightly different versions: | |
− | + | {| {{prettytable|style=margin-left: 1em;}} | |
!Lump names!!Size!!CRC-32 | !Lump names!!Size!!CRC-32 | ||
|- | |- | ||
Line 115: | Line 124: | ||
|D_E2M3||29082||166211b7 | |D_E2M3||29082||166211b7 | ||
|} | |} | ||
− | + | "Waltz of the Demons", which is present twice in the IWAD, exists in two slightly different versions: | |
− | + | {| {{prettytable|style=margin-left: 1em;}} | |
!Lump names!!Size!!CRC-32 | !Lump names!!Size!!CRC-32 | ||
|- | |- | ||
Line 123: | Line 132: | ||
|D_E3M7||7015||b0c3d646 | |D_E3M7||7015||b0c3d646 | ||
|} | |} | ||
+ | *The D_E1M7 and D_E2M5 version of "Demons on the Prey" has a cymbal instruction in bar 7 that has a wrong Legato instruction that causes the note to play at the very start of the song in some MIDI players. This is never heard in-game, and the D_E3M5 version of the song doesn't have this issue. | ||
+ | *The D_E1M9 version of "Hiding the Secrets" has a broken silence in Track 10 (percussion) that causes the drums to come in at the very first bar, and play 1 bar early for the rest of the song in some MIDI players. This never happens in-game, and the song plays normally regardless. D_E3M9 does not have this issue, and will play correctly in any instance. | ||
+ | *"Waltz of the Demons" is the only one with an audible difference in-game: the bass string instrument that comes in at about 10 seconds in is quieter in D_E2M7 than in D_E3M7. (MIDI channel volumes of 80 and 100, respectively.) The other songs have slightly different MIDI data between versions, but nothing that causes a difference in the way they are played. | ||
− | ==See also== | + | == See also == |
{{music}} | {{music}} | ||
− | ==External links== | + | == External links == |
− | *[ | + | *[https://www.doomworld.com/classicdoom/info/music.php Doomworld.com page about Doom music] |
− | *[ | + | *[https://www.doomworld.com/linguica/doomcovers/ Doom Covers], an article at [[Doomworld]] in which samples of Prince's music are compared with his sources |
*{{dwforums|41149|Thread about remastered Doom and Doom II soundtracks}}, from the [[Doomworld forums]] | *{{dwforums|41149|Thread about remastered Doom and Doom II soundtracks}}, from the [[Doomworld forums]] | ||
*[http://www.sirgalahad.org/paul/doom/ Doom music] synthesized and converted to [[Wikipedia:MP3|MP3s]] | *[http://www.sirgalahad.org/paul/doom/ Doom music] synthesized and converted to [[Wikipedia:MP3|MP3s]] | ||
+ | |||
[[Category:Music]] | [[Category:Music]] | ||
[[Category:Lists]] | [[Category:Lists]] |
Revision as of 03:01, 10 August 2022
This article is about the original Doom music. For the 2016 game, see Doom (Original Game Soundtrack).
The topic of this article is a common source of contention. Information added here will be held to the highest standards and will be required to include citations or supporting evidence. Please discuss planned edits on the talk page to ensure consensus before making extensive changes. |
All of Doom's music was composed by Robert Prince. There are 23 distinct tracks present across the original 3 episodes, with Thy Flesh Consumed not introducing any new tracks.
Unsourced attributions should not be added here. The information below is based on "word of God" from Bobby Prince or other reliable sources.
Track listing
Notes
- ↑ The inspiration behind E1M1 - At Doom's Gate has historically been a long-standing issue of discussion and contention among Doom's fanbase. Tracks by bands such as Metallica or Pantera have been suggested as sources, but there is no conclusive evidence that supports any particular track. The track itself is based around a generic heavy metal riff, meaning that it sounds similar to many different heavy metal songs. In a 2017 interview, Bobby Prince clarified that it was not inspired by any particular song, and was written before having listened to any heavy metal music.[1]
- ↑ Uses all the same instrument tracks as un19.mid from the unused songs released by John Romero. The main riff of this song is a slight rearrangement of the unused one, the tempo is augmented slightly and all the singular drum tracks are merged into one, but the song structure, MIDI instrument selection and drums are otherwise kept completely unchanged.
- ↑ 3.0 3.1 3.2 The inspirations for the tracks noted above are substantiated by metadata comments found in the unreleased MIDI tracks (archived 🏛) released by John Romero, many of which are alternate versions of the MIDI tracks used in Doom. See the article: Musical inspirations behind Doom's music.
- ↑ The metadata for an early unused version of Donna to the Rescue references Soundgarden - Outshined as its base, but two other unused MIDIs reference the same song as well, yet sound completely different. The metadata may be a leftover note from a different unused MIDI (un32) that is more clearly based on the track.
- ↑ The Doom IWAD file includes two title screen MUS lumps, D_INTRO and D_INTROA. The latter is used when using OPL MIDI playback (ie. on an AdLib or Soundblaster card).
Trivia
"Hiding the Secrets", which is present twice in the IWAD, exists in two slightly different versions:
Lump names | Size | CRC-32 |
---|---|---|
D_E1M9 | 21266 | 7462c0df |
D_E3M9 | 21272 | be086715 |
"Demons on the Prey", which is present thrice in the IWAD, exists in two slightly different versions:
Lump names | Size | CRC-32 |
---|---|---|
D_E1M7 and D_E2M5 | 8591 | 46d83cbc |
D_E3M5 | 8597 | 9409b4ad |
"Intermission from Doom", which is present twice in the IWAD, exists in two slightly different versions:
Lump names | Size | CRC-32 |
---|---|---|
D_INTER | 29082 | 7b6851c1 |
D_E2M3 | 29082 | 166211b7 |
"Waltz of the Demons", which is present twice in the IWAD, exists in two slightly different versions:
Lump names | Size | CRC-32 |
---|---|---|
D_E2M7 | 7015 | 9b788f57 |
D_E3M7 | 7015 | b0c3d646 |
- The D_E1M7 and D_E2M5 version of "Demons on the Prey" has a cymbal instruction in bar 7 that has a wrong Legato instruction that causes the note to play at the very start of the song in some MIDI players. This is never heard in-game, and the D_E3M5 version of the song doesn't have this issue.
- The D_E1M9 version of "Hiding the Secrets" has a broken silence in Track 10 (percussion) that causes the drums to come in at the very first bar, and play 1 bar early for the rest of the song in some MIDI players. This never happens in-game, and the song plays normally regardless. D_E3M9 does not have this issue, and will play correctly in any instance.
- "Waltz of the Demons" is the only one with an audible difference in-game: the bass string instrument that comes in at about 10 seconds in is quieter in D_E2M7 than in D_E3M7. (MIDI channel volumes of 80 and 100, respectively.) The other songs have slightly different MIDI data between versions, but nothing that causes a difference in the way they are played.
See also
External links
- Doomworld.com page about Doom music
- Doom Covers, an article at Doomworld in which samples of Prince's music are compared with his sources
- Thread about remastered Doom and Doom II soundtracks, from the Doomworld forums
- Doom music synthesized and converted to MP3s